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Henderson

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  • The Henderson is a proprietary typeface family designed by Jean François Porchez for the number two management and strategic consulting worldwide firm in 2006, in association with The Creative Factory.

    This typeface family is designed to convey a strong personality to the Boston Consulting Group communication tools. It asserts The group’s faith in progress and modernity while remaining true to its heritage and history. It contributes both to strengthening company’s presence in the market and to enhancing the reader’s comfort through increased clarity and readability.

    Henderson BCG Specimen

    Henderson Serif

    5 weights family.
    Henderson – built in TrueType OpenType format – family take its roots on the work of John Baskerville. He was an English punchcutter who invented a new typeface around the middle of the 17th century and several new technics to print on coated paper. There are various interpretations of Baskerville today, most of them have been created in “several sizes” for metal typesetting. Later, with phototypesetting, only one master was designed for all sizes. That’s why the current contrast of the ITC New Baskerville used previously is slightly too high and not perfectly suitable to text setting on contemporary coated paper. The Henderson Serif, more contemporary in its interpretation increases legibility in text settings. Henderson Serif is set at 11 pts equal to ITC New Baskerville set at 12 pts in optical size, but more economical in widths.

    Historical typefaces such as Baskerville feature a small xheight (the size of the small lowercases), whereas today sanserifs feature large xheight as Arial, a common sanserif used by the company. In our present case, its seems more appropriate to keep Arial as a reference due to its capacity to be easily used on screen and everyday office documents.

    Henderson Sans

    Started with a family of 4 weights in 2007, 4 new weights have been added in 2009 at client request.
    Based on Henderson Serif, itself based on Baskerville, Henderson Sans can be definite as one of the first transitional sanserif, at mid distance between humanistic sanserifs like Gill Sans and grotesk sanserifs like Helvetica and Arial. Henderson Sans still remain close to Arial, in a sense that Henderson Sans is based on an ancestor style of Arial. Henderson Sans structure is modulated and its terminals not yet structurally well organised while its design is already clean and net. Finally, Henderson Sans can easily be switched from Arial back and forth.

    Furthermore, Henderson Serif and Sans are built on the same structure and the same proportions to be easily exchanged at anytime without too much effect on layout and text length and size.

    Henderson is a proprietary typeface who will never be made available to the general public.

     
    Custom fonts

    We are specialized in custom typefaces design. Bespoke typefaces, like proper lettering, can help companies express their brand, corporate identity across the range of their activities.

    — Corporate identity fonts
    — Bespoke fonts
    — Signage fonts
    — Publications, newspapers, magazines typefaces
    — Custom versions of our collection
    — Font hinting

    Bespoke typefaces

    Alpha Poste
    Ardoise
    AW Conqueror
    Bienvenue
    Charente
    Costa
    Deréon
    EndlessStory
    FF Angie
    Henderson
    Le Monde Journal
    Le Monde Sans
    Lion
    Macif
    Mencken
    Parisine
    Renault Identité
    Retiro
    Sabon Next
    Script Fleury Michon
    Singulier
    Sitaline
    Verspieren
    Vuitton Persona

     
     
     

    Lettering and logotypes

    Lettering and logotypes comprise another part of the work done at ZeCraft, whether that work is completely original or redrawn from designs by other companies. Major clients include corporate & packaging agencies, publishing industry or direct clients.


    Logotype Abigail Borg. Client: Abigail Borg, surface pattern designer, 2011.


    Nameplate Notre Temps, for the magazine of the same name. Client: Bayard, 2011.


    Concept and design of the logotype Domaine de Noria, for W&cie, 2010. Won a Super Design 2010 prize. Based on AW Conqueror Sans designed by Typofonderie.


    Nameplate Chatelaine, for the magazine of the same name. Client: Rogers Publishing limited, 2010.


    Nameplate Pèlerin, for the magazine of the same name. Client: Bayard Presse S. A., 2010. Read more.

     

    Selected clients

    Design, Communication, Schools
    AR Media – Us, Brand Image, The Creative Factory – Ch, Euro RSCG C&O, Euro RSCG Design, Dragon Rouge, Ecv, Havas City, Landor Associates, Ligaris, Lacava Design – Ca, Marcel, MetaDesign – G, Atelier Pascalie design, Paragon – Ch, Piaton & Associés, Publicis, 4uatre, Reflex Image, Stories, W&cie, White Spirit.

    Luxury, Fashion, Beauty
    Abigail Borg – Uk, Brioni – Us, Cristie – Us, Detaille, EndlessStory, Devambez, Gloria Vanderbilt – Us, House of Deréon – Us, The Luxe Chronicles – Uk, Lancôme, Louis Vuitton Malletier, Vivarte, Yves Saint Laurent Beauté.

    Bank, Consulting, Insurance, Clubs
    La Banque Postale, The Boston Consulting Group – Us, BNP Paribas, MACIF, Verspieren, Who’s who.

    Publishing, Paper industry
    Arjowiggins, Axel Springer – G, The Baltimore Sun – Us, Canadian Business – Ca, Charente Libre, Chatelaine – Ca, Helsingin Sonomat – Fi, Larousse, Le Monde, Le Pèlerin, Maclean’s – Ca, Madriz Magazine – S, Notre Temps, Politikens Forlag – D, Télérama, Real Simple – Us, SportNet – Ca, The Independent magazine – Uk, The Walrus – Ca.

    High Tech, Transport, Tourism, Food
    Costa Crocieres – I, Domaine de Noria – Ma, France Telecom, Peugeot, RATP, Renault, Sébastien Gaudard, Schneider Electric, Sita, Swiss Ski – Ch, Thalès, Veolia.

    (countries indicated with the exception of France).

     

    Get in touch

    Please consult ZeCraft for a quotation or to simply ask for more specific information. The best is to use the form here, or to call directly.
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