Aiglon
Aiglon is a monolinear, semi-grotesque, semi-geometric sans serif typeface designed for Palais de l’Élysée.
Aiglon is a monolinear, semi-grotesque, semi-geometric sans serif typeface designed for Palais de l’Élysée.
A bespoke typeface designed for the identity and logotype of La Banque Postale, a subdivision of Groupe La Poste.
60–70’s period rediscovered with today eyes. A “Paul Smith vision of the past” at typographic level. A collection of fonts who work harmoniously in contrast.
The Banette typefaces, designed as basis of a modular visual identity pay a tribute to the facades of mid-century French shops and signs painters.
To better accompany the new think tank, BCG Henderson Institute, Mod is the latest addition to the Henderson super family started in 2007.
Based on Henderson Serif, itself based on Baskerville, Henderson Sans can be definite as one of the first transitional sanserif.
The Boston Consulting Group typeface family take its roots on the work of John Baskerville.
BHV Marais is a art deco all caps bespoke font designed for the Parisian department store Le BHV Marais.
An exclusive corporate typeface designed for France Telecom, the leading French telephone & internet company.
A collection of unique alphabets for Louis Vuitton Malletier to bring back to modern time the French copperplate engraving expertise.
Conran Design branding typeface: Strong in spirit but joyful and optimistic at the same time.
A mediterranean style corporate typeface for the Italian cruise company.
A multi-effect typeface at the fringe of various styles created for Beyoncé Knowles and her fashion line House of Deréon.
A bespoke typeface for a Russian retailer featuring a luxury flair who features fancy alternates and swashes.
France 2024 is the official typeface of the French team for Paris 2024.
Together with GL Kahn, they form a typographic style who define the multifaceted identity territory through the varied and inventive uses.
We designed a typographic system to radically strengthen Galeries Lafayette visual identity and communication.
La Fayette Sans is an all caps bespoke font dedicated to the identity of Lafayette Anticipation.
An exclusive corporate typeface designed for Automobiles Peugeot, used for all the brand names.
This geometric sanserif featuring angular terminals was designed for the french insurance company.
A squarish roundish all caps custom font designed for a company specializing in the design of material handling equipment.
A “Baltimoresque” Didot in a collection of sizes, weights and widths, created for The Baltimore Sun as a tribute to H.L. Mencken.
This ultra legible typeface family was designed as bespoke typeface family for the French newspaper Le Monde.
Nespresso typeface is the quest for excellence that reveals the international coffee brand.
A public transportation system typeface who became one of the visual symbol of Paris.
How to resolve low resolution issues, as technical limitations? We worked closely over a year with the design department.
A corporate typeface for internal and external communication of RATP.
It’s a low contrast squared caps only typeface featuring asymmetrical serifs designed for Renault group.
Specially designed to gives a unique voice of the Madriz magazine, bilingual city magazine.
Sephora bespoke typeface strengthen the visual identity using black & white stripes into letters.
Script Fleury Michon bespoke typeface is designed in several variants to set the names of ready-meals products.
Sitaline is a corporate typeface designed for a large company with many international subsidiaries operating under different names.
Singulier designed for Yves Saint Laurent Beauté as a unique synthesis of the work of Cassandre and Mr. Saint Laurent.
A bespoke typeface designed for the identity and logotype of The Walrus.
A bespoke font for the American animated science fiction television series from Walt Disney Company.
A stencil typeface with its illegible variant designed to serve the TypeCon 2017 annual conference identity.
Dedicated to branding, titling, and signage applications, a roundish typeface designed for a French insurance group.
A low contrast typeface, two-color custom, featuring rectangular serifs, to recall the universe of saddlery for horseback riding.
Designed for Louis Vuitton Malletier, Vuitton Persona family was created in order to rediscover historical in-house letterforms from the early 20th century.